• Event Start Date: March 11, 2027
  • Event Start Time: 4:30 PM
  • Event End Time: 6:00 PM
  • Event Type: Distinguished Lecture Series
  • Event Location: Ruth Dill Johnson Crockett Building, Douglass Campus
  • Event Organizer: Institute for Research on Women

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Naminata Diabate - Comparative Literature, Cornell University

 

"Desiring Pleasure: Bodily Sovereignty, Clitoraid’s 'Pleasure Hospital,' and the Politics of Aesthetic Dissent"

This lecture highlights the contested terrain surrounding Clitoraid, the American-based organization that built a “pleasure hospital” in Bobo-Dioulasso, Burkina Faso, to perform clitoral reconstruction surgery for survivors of female genital surgeries. Framed against this year’s inquiry into dissident aesthetics and the remaking of life, I argue that women’s pursuit of reconstructive surgery constitutes an embodied claim to pleasure, wholeness, and self-authorship—an aesthetic and political refusal of the erasures inscribed on their bodies by patriarchal and other societal regimes of control. Yet this claim to bodily sovereignty unfolds within a fraught geopolitical and cultural field: Clitoraid’s origins in the Raëlian movement, its language of reconstruction as liberatory spectacle, and its friction with Burkinabè state authorities and local NGOs raise urgent questions about who narrates healing, whose aesthetics of dissent are legible as emancipatory, and how transnational humanitarian intervention can itself reproduce hierarchies of expertise, race, and cultural authority even as it enables individual women’s desires for restored sensation and dignity.

Drawing on public statements, media coverage, and scholarship on FGM/C through the optic of feminist theory, corporeality, and subjectivity, I showcase the “pleasure hospital” as a site where competing aesthetics of dissent collide: the individual survivor's insistence on pleasure as a right and a form of self-remaking; the Burkinabè government’s assertion of sovereignty over national health infrastructure and cultural narrative; and Clitoraid’s performative branding of rescue and revelation. Rather than adjudicate among these positions, I ask what it means to theorize desire, pleasure, repair, and dignity as simultaneously personal, political, and aesthetic acts—and what dissonances arise when grassroots bodily agency is mediated by a putatively foreign organization whose methods and motives remain locally contested. In doing so, the lecture contributes to broader conversations about how flourishing life is imagined, funded, and fought over across asymmetries of power-effects, and about the limits and possibilities of solidarity as it travels across borders.

IRW Distinguished Lecture Series 2026-2027 Dissident Aesthetics and the Remaking of Life